Camera shots are a very important part of music videos and films as they make them what they are. For my research I have been looking into camera shots and movements:
Zoom In:

Zooming in to a shot does not require the camera to move at all, It is all about the focusing of the lens giving the illusion that the camera is moving closer to the subject whether it is a scene, object or person. You may use zooming in to show a facial expression, Zooming into a close up shot. Zooming out of a shot is basically the opposite of zoom in shot.
Tracking Shot:

The term tracking shot is widely considered to be synonymous with dolly shot; that is, a shot in which the camera is mounted on a cart which travels along tracks. However there are a few variations of both definitions. Tracking is often morenarrowly defined as movement parallel to the action, or at least at a constant distance (e.g. the camera which travels alongside the race track in track & field events). Dollying is often defined as moving closer to or further away from the action.
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Arc Shot |
Arc Shot:
An arc shot is a camera move around the subject, somewhat like a tracking shot. In mathematics, an arc is a segment of the circumference of a circle. A camera arc is similar - the camera moves in a rough semi-circle around the subject.
Crab Shot:
The term crabbing shot is a less-common version of tracking, trucking and/or dollying. These terms are more or less interchangeable, although dollying tends to mean in-and-out movement whereas the others tend to mean side-to-side movement at a constant distance from the action.
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Whip Pan |
Pan Shot:
A pan is a horizontal camera movement in which the camera moves left and right about a central axis. This is a swiveling movement, i.e. mounted in a fixed location on a tripod or shoulder, rather than a dolly-like movement in which the entire mounting system moves.
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Crane Shot |
Whip Pan:
A whip pan is a type of pan shot in which the camera moves sideways so quickly that the picture blurs into indistinct streaks. It is commonly used as a transition between shots, and can indicate the passage of time and/or a frenetic pace of action.
Unlike other transitions, such as dissolves and fades, whip pans stand out because of their abrupt style, and are often seen in 1970s martial arts movies. The technique is used liberally by directors Sam Raimi, Wes Anderson and Edgar Wright. It is also used frequently in the Saw movies whenever someone is struggling in a trap.
Crane Shot:
a crane shot is a shot taken by a camera on a crane or jib. The most obvious uses are to view the actors from above or to move up and away from them, a common way of ending a movie. Camera cranes go back to the dawn of movie-making, and were frequently used in silent films to enhance the epic nature of large sets and massive crowds.
Steadicam:
Steadicam is a brand of camera stabilizer mount for motion picture cameras that mechanically isolates it from the operator's movement. It allows for a smooth shot, even when moving quickly over an uneven surface. The Steadicam was invented by cameraman Garrett Brown and was introduced in 1975.
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Steadicam |
Aerial Shot:
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Aerial |
Aerial shots are usually done with a crane or with a camera attached to a special helicopter to view large landscapes. This sort of shot would be restricted to exterior locations. A good area to do this shot would be a scene that takes place on a building. If the aerial shot is of a character it can make them seem insignificant. Circular shots are also possible.
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HandHeld |
Hand Held:
Hand held shots serve to create a more home made or dramatic feel to a shot. There is a difference between hand held shots and steadycam shots. An example of this is blair witch project which was filmed entirely using a hand held camera, This produced a sense of realism and added a unique element to the movie.